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On-screen, Peet's surface good looks lure many a man into water
that's much hotter and deeper than anticipated. Most recently,
the native New Yorker portrayed Judith, a fianc? from Freudian
hell opposite Jason Biggs (American Pie) and lackadaisical comedic
actors Steve Zahn (Happy, Texas) and Jack Black (High Fidelity)
in Saving Silverman. She honed the love dominatrix persona in
the comedy Whipped, in which her character, Mia, beats three
would-be players at their own game. And few among the few who
remember The Whole Nine Yards can forget Peet's depiction of
dental hygienist Jill St. Claire, an aspiring hit woman with
a penchant for taking it all off before taking out her targets.
According to her Most Beautiful bio in People, a short-haired
Peet spent much of her childhood assuring folks that she wasn't
a little boy. It's apropos, then, that Peet first assaulted
a mass audience's senses as the male-monikered Jacqueline "Jack"
Barrett, who falls for neighbor David "Jill" Jillefsky (Ivan
Sergei) in the 1999 WB romantic drama Jack & Jill.
Even if the pilot actress, Amelia Heinle, had stayed with Jack
after the WB picked up the series, Peet's drive and determination
would have led to her big break eventually. The blue-eyed brunette
had been working steadily in television and movies since 1995,
a year after graduating from Columbia University with a history
degree. Her subsequent resume reads like an absolute scale of
mid-'90s TV, from the first-rate (Seinfeld, Law & Order)
to the forgettable (The Single Guy, Central Park West, Partners).
Peet's early film career consisted largely of what she described
to CheckOut.com as "[14] independent [movies] that I did for
$75 a day - much to the chagrin of my agent. Both of us were
getting poorer by the movie." Although some of the sets didn't
even sport an accessible commode, Peet had the opportunity to
work with numerous television stars trying to transition to
film, including Jennifer Aniston (She's the One), George Clooney
(One Fine Day), Gillian Anderson (Playing by Heart), and Sarah
Michelle Gellar (Simply Irresistible).
So what was Peet thinking, accepting such a variety of roles
that might have been a bit beneath her four years of training
with Broadway legend Uta Hagen? "There so wasn't a plan," she
exclaimed in the Daily Breeze. "Are you kidding? It was just,
'Say yes to work.' That was the plan." She added in a CNN interview,
"I think I wasn't ready, but I just wanted to work. I had the
philosophy that work begets work."
The best-laid plans of mice and men go oft astray; conversely,
Peet's worked like a charm. Once Jack gave her some name recognition,
her film career perked right up, and she nabbed a lead in the
mob comedy The Whole Nine Yards, working once again with familiar
boob-tube faces: this time, Matthew Perry and Bruce Willis.
Not surprisingly, the bald-headed one made Peet a little nervous.
"I'm not going to lie to you and say that it's no different
doing a scene with Bruce Willis because he's just an actor and
it's just the same thing, because it's fucking not," she told
CheckOut. "He's Bruce Willis, for chrissake. I was so scared
of him."
Willis' first phone call to Peet did nothing to reduce her anxiety.
"He [called] me when I got the part [in Yards]," she explained
to talk show host Larry King. "He left a message on my machine
saying, 'Hello, Amanda. It's Bruce Willis calling. And if you
don't call me back in 10 minutes, I'm going to burn your house
down.' It's, like, his stock phrase for everyone he fears won't
call him back. It's bizarre because he's a megastar. But he
never leaves his number, so it's like - it's just kind of bizarre."
Peet held her own against Perry and Willis, impressing director
Jonathan Lynn (My Cousin Vinny). "I think she is extraordinary.
She has a tremendous flair. It's a wonderful comedy performance.
She has a real sort of immediacy, an extraordinary presence,"
he said in the Los Angeles Times.
Her presence greatly enhanced the chemistry in Saving Silverman,
her most recent cinematic project, and the film debuted in third
place, lagging behind the Jennifer Lopez romantic comedy The
Wedding Planner and the weekend winner, Hannibal, which took
in a surprising $58 million.
Up next for Peet will be two star-studded films: She joins Ben
Affleck and Samuel L. Jackson in Changing Lanes, which recounts
a deadly game of road rage, and she shares the screen with Amanda
Pudd, Morgan Freeman, and Jim Caviezel in High Crimes, the story
of a Harvard law school professor who must defend her husband
in military court after the Army declares him a deserter.
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