| Acting
and performing is present all through Neve's family,
her Dutch-descended mother and Scottish father
met on an acting job. Though her parents split
up shortly after she was born, they were in full
support of Campbell when she decided, after taking
in a performance of The Nutcracker at the age
of six, that she wanted to learn ballet. Three
years of private lessons paid huge dividends when
the prestigious National Ballet of Canada, which
takes on only a handful of new students from among
the thousands who apply each year, accepted the
nine-year-old Campbell.
The
young dancer studied with the company for five
years before the intense demands on her time and
her gifts became too much for her to bear. "I
basically had a nervous breakdown," Campbell has
since recalled of the extreme performance pressures
that caused her to give up ballet and follow the
generally less mentally and physically taxing
pursuit of acting. Quite understandably, having
the words "Spent five years with the National
Ballet" on her résumé helped the aspiring thespian
win a role in a Toronto production of Andrew Lloyd
Webber's The Phantom of the Opera just months
after she had hung up her toe-shoes. At fifteen,
Campbell was the youngest member of the cast,
and she ended up staying on for two years and
eight hundred performances.
Canadian
television producers came knocking after Campbell
bid Phantom a fond adieu, and the next couple
of years witnessed her appearances in several
commercials, a handful of television movies, and
a Canadian feature film, Paint Cans. South of
the border, audiences got their first good look
at the beguiling ingenue in 1994, when MTV aired
several episodes of the Canadian TV series Catwalk,
a show Campbell had walked out on after a single
season because she felt her character had become
little more than a sex-fiend. That same year,
she appeared in a lead role in the NBC movie I
Know My Son Is Alive, alongside American television
veterans (and real-life couple) Corbin Bernsen
and Amanda Pays. NBC producers subsequently persuaded
their young discovery to fly out to Southern California
to get a better feel for the American television
industry.
Within
weeks of arriving in Los Angeles, Campbell beat
out three hundred other hopefuls to secure a role
in a Fox pilot about four siblings and their baby
brother who must raise themselves after their
parents die in a car crash. Thanks largely to
Campbell's fetching, fresh-faced looks and the
hunky appeal of co-stars Matthew Fox and Scott
Wolf, Party of Five became a staple for the all-important
youth demographic, and survived several threatened
cancellations to become one of the most popular
drama series on TV. In addition to scoring points
with starry-eyed teens, Party of Five's cast members
impressed critics across the nation with the caliber
of their acting, and, before long, Hollywood producers
came calling. Wisely, Campbell opted not to complicate
her graduation to the silver screen by stretching
her abilities.
For
her role in 1996's The Craft, she switched from
playing an angst-ridden teen who must cope with
such everyday problems as unwanted pregnancy and
family alcoholism to playing an angst-ridden teen
who must cope with such everyday problems as witchcraft
and levitation. Opening atop the heap at the late-spring
box office, The Craft scored a modest success,
which properly primed audiences for the Yuletide
release of Campbell's next screen vehicle, the
blood-soaked Scream. Once again, Campbell played
it safe, taking on the role of yet another angst-ridden
teen, this one preyed upon by a serial killer
with a yen for horror movie conventions.
Veteran
director Wes Craven surrounded Campbell with a
bevy of pretty faces (including those of Drew
Barrymore, Courteney Cox, and Skeet Ulrich); screenwriter
Kevin Williamson loaded the script with sarcastic
one-liners; and-ba-da-bing, ba-da-boom!-teens
everywhere flooded into theaters for a bit of
good old-fashioned sex appeal and stabbing. Ever
since she Scream-ed her lungs out in theaters
across America, Campbell's career has been on
the fast track, both on the small and big screens.
Apart
from her Party of Five duty, she returned to theaters
in the imaginatively titled sequel to Scream,
Scream 2, in which she co-starred with fellow
lovelies Sarah Michelle Gellar and Jada Pinkett.
She next teamed with Kevin Bacon and Matt Dillon
for Wild Things, a twisty modern noir that positions
Campbell as an oversexed white-trash teen; and
with Mike Myers and Salma Hayek for the disco-era
homage 54.
Unfortunately,
her personal life hasn't been quite as smooth-sailing:
in July 1997, Campbell separated from her husband
of two years, actor Jeff Colt, and the couple
divorced the following May. From what we hear,
Scream 3 is coming out in the future. Many surprises
lurk in the upcoming film-will Sydney die? Or
will we have a happy ending to the "trilogy"?
Check back here soon for more info concerning
the upcoming smash. |